Alan Machin: Tourism As Education

A group of cycling enthusiasts kept the knowledge of the Pedersen bicycle alive. Even in Denmark, the inventor was largely unknown. Then, in 1995, cycling groups raised the money to bring Pedersen’s remains back to Britain and he now lies buried in Dursley Cemetery. The house where he once lived is shown above with its commemorative plaque. A Pedersen bike hangs on display in the town’s Heritage Centre. In St James’s Church near to both his home and the Heritage display there is a modern mosaic about the town, with another depiction of the bike that made Dursley famous among cyclists in the Edwardian era.

The interpretation panel with his story is one of four about the town that have been placed on the side of Sainsbury's supermarket near the church. The town tells its stories to tourists very effectively! (The blotchy shape in front is a bit of decorative shrub courtesy of Sainsbury's).

Close to Gloucester but perched on the edge of the Cotswolds, Painswick is a very attractive place. The Georgian, and earlier, buildings are of local Cotswold stone, pale grey-cream in colour but weathered by the centuries.

The Rococo Garden lies in a small coombe or valley nearby. Benjamin Hyett began the garden in the 1740s. It formed part of his property of Painswick House. There were other sections to his estate and this was to be a pleasure garden full of trees, shrubs, flowers and small architectural features. His family and friends could walk around, finding something of interest in every view. The ladies who visited might take afternoon tea in one of the little pavilions. Vegetables for the kitchen were also grown by Hyett’s men, yet the planted rows formed part of the interest themselves. The word Rococo refers to the style of architecture in the pavilions and structures dotted around. They maintain their slightly florid shapes and asymmetrical designs, popular in Benjamin Hyett’s day.

A Trust now cares for the Garden, open to the public to wander round. The house is privately owned, and not open.

If a food shop is good, then looking around reveals all sorts of interesting foods and brands. Like many of its kind, the Severn and Wye aims to support local suppliers while also bringing in good produce from further away. There were some from Europe and at least one from New Zealand - green mussels. The fish counter carried all sorts of fish, crabs, oysters - and eels. Freshly baked bread, cheeses, meat and vegetables were available. Wine, beers and some excellent cider were on sale. We had flash-fried eel in a mustard sauce with mash and rocket. Delish!

But there are some signs of local disquiet about the business. There have been complaints about developments happening without planning permission having been obtained first. Reports have circulated about the S&WS seeking retrospective permissions. Others complained about smells and litter. We found neither on our visit, but successful tourist businesses cannot afford to create bad relations any more than any other kind of enterprise. Part of the problem is that expansion has meant too much sewage and waste is now being produced. In April this year, a plan for a new water treatment lagoon was rejected by the local Council, who felt they were faced with a business gowing fast in a location only suited for something small. The Smokery is alongside the A48 in open country, not a built-up area. It employs, as we saw, a large workforce, so as ever, in an economic downturn a successful business is a valuable asset. The problem will doubtless be solved somehow.

[12.05.13]

The Delights of Caravan Sites on Farms

We love 'em. This month (May, 2013) we stayed on one near Dursley, in Gloucestershire, and another close to Plympton, Devon. The Caravan Club has what it calls 'certificated list' sites, or 'CLs', which can have no more than five 'vans at a time. They're most often on farms where they bring some extra income.

The farmer owning the Dursley land concentrates on sheep, while renting out some arable land to another farmer nearby. We watched over two days as the field seen in the photos was harrowed and sown with maize. When we stayed here a couple of years ago, one summer, there was a crop of maize ripening. The wet weather has delayed many farms' sowing and planting, while more recent dry weather has meant that grass has been slow to grow. As a pair of townies, now retired, it's good to talk to the farmers about their rural lives. We have found them all to be friendly and willing to explain their work

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The Gloucester and Sharpness Canal

Gloucester was once a busy port with docks and warehouses. Barges sailed up the tricky Severn Estuary to Sharpness where they entered a canal through locks. The canal was a much safer navigation than the river with its high tidal range. Some high tides cause the famous Severn surge-wave or 'bore' which rushes upstream.

Sharpness still has commercial traffic at its docks. The canal is now used for leisure, passing as it does through beautiful countryside.

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Toposcopes

An early form of information panel describing landscape views was the toposcope. Quite a few are still to be found. An early version was used in a window frame by Peter Crosthwaite at his museum in the Lake District in the seventeenth century. The one above was installed on a masonry pillar by the Automobile Association. Lines engraved on the metal disc lead the eye to distant landmarks with their names shown. It stands on Coaley Peak near Dursley, Gloucestershire.

Not far away from it is another panel, seen here top right. Made of a tough resin, it encapsulates a colourful sketch of the same view with places labelled. These are often called interpretation panels. They don't just label things, but try to explanation features.

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Beverley Minster

On the south side of Beverley is the famous Minster. It was founded by Saint John of Beverley who had been Bishop of Hexham and then Bishop of York. John founded a monastery here around 700AD. When he died twenty-one years later, he was buried at the spot marked by the memorial plaque shown above. The church here went through phases of rebuilding. It had a central tower like St Mary’s Church (posting below) which went through a similar catastrophic collapse around 1213. Rebuilding took two centuries of work, but resulted in what some call one of the most magnificent parish churches of England and a Gothic masterpiece.

Pilgrims made their way to St John’s tomb at Beverley. The statue of him stands inside the South Door, close to the Norman font of 1070, a survivor possibly of one of the earlier churches on this site. It was carved of ‘marble’ from Frosterley in County Durham – not actually marble, but polished limestone often referred to as marble. The font was made only four years of the Battle of Hastings that brought Norman rule to England. Above the font hangs an elaborate font cover of the eighteenth century.

St Mary’s Church, Beverley

Beverley is a historic town just north of Hull. It is in the flat country extending inland from the coast, though technically not part of Holderness, which lies to the east of the River Hull. We made two visits to see the market square, the Minster and St Mary’s Church – and, on one of days, to have lunch at the Green Dragon Hotel on the former market square.

St Mary’s is not as large as the Minster, but still imposing, with much detail waiting to be explored. The Virgin Mary is shown holding the infant Jesus. The skull carving is a common church feature, a reminder to congregations and visitors of the transient nature of human existence. Outside the South Door are medieval images (eg lower left photo) intended to frighten off evil spirits, a reminder of the superstitious basis of much belief in those years. Rather more realistic was the series of carved heads, of which one is shown here (top, centre). In 1520, the old tower collapsed, killing many who were in the church for a service. It was rebuilt, with the principle fund-givers commemorated by having their heads shown in stone carvings like this one.

Top left is a benevolent-looking sheep’s head to the left of a doorway inside the Church. Opposite it is a famous carving of a rabbit. It is said to have been the inspiration for the White Rabbit in Alice in Wonderland by Lewis Carroll.

St Patrick’s Church, Patrington

A touch of architectural pride from older days labelled this church ‘The Queen of Holderness’. The church guidebook claims it is “universally recognised as one of the most beautiful parish churches in England” which sounds like Jane Austen popped in two centuries ago. But yes, it is beautiful, even handsome, if queens are ever to be given that description. The 189-foot spire points to the heavens and attracts travellers from across Holderness into the church. Its reputation draws tourists from much further afield, as it did ourselves, on our second or third visit.

St Patrick’s may look over-special for this landscape of villages and hamlets, but Holderness was once much larger. Sea erosion has destroyed many ancient towns that would have traded in Patrington’s weekly markets and worshipped in its church. After 1717, the church was under the patronage of no less than Clare College, Cambridge. It was built in the late 13^th to mid 14^th centuries. The font dates from those times; the pulpit is from 1612 and the reredos (the wall decoration behind the altar) was added in 1936. In the bell loft are bells dated from 1674, 1846, 1888 and 1948. In the last-named year, two bells were added to commemorate those killed in World War II.

King George V was Lord of the Manor of Patrington. He died in 1935. At that time, the Rector of St Patrick’s was Percival Ryder Frost, and he was the principal donor towards the commissioned work. Glimpsed through the finely carved rood screen that separates the nave from the chancel, the reredos is an eye-catching addition to the church’s iconography. At the centre of the row of figures is the Virgin Mary. To either side are the twelve saints associated with Northumbria, of which Holderness was a part in the early Middle Ages when the Northumbria extended across the whole of present-day northern England. Saints Columba, Aidan, Cuthbert and the Venerable Bede are among them. So, too, is St Hilda, founding abbess of the monastery at Whitby. She holds a model of the Abbey Church.

The Deep has a good range of visitor communication. Most of it is by graphic panels next to the tanks or other exhibits. Much use is made of video and sound. At intervals along the winding ramp into the main display, areas are installations telling an evolutionary story. Above video screens are hung plastic domes holding special loudspeakers (bottom, left photo). The audio commentary and sounds from these is reflected down at visitors standing close to the screens. It helps prevent the distractions of adjacent commentaries clashing with each other, a problem often found in exhibitions using a lot of A/V equipment. Sound is always a bigger problem for gallery designers than vision – as it is throughout the entertainment industry.

“There are plenty of fish in the sea” goes the saying, and plenty in the tanks of The Deep. Several smaller aquariums hold particular species for a closer inspection. There are also some highly colourful frogs and complex-patterned corals. This is show business - and so it should be!

The main tank at The Deep descends through 30 metres of the exhibition floors of the building. Visitors start on a high floor and walk down curving gallery ramps as if they are entering an ocean. One of the best places to see the sharks and rays is when they are fed and checked over by divers at about 2:00pm each day. A drop-screen is lowered to show a CCTV image of the divers preparing and donning their equipment and a member of staff gives a commentary. The sound quality over a loudspeaker system was not ideal. The speaker we heard spoke too quickly, using a normal pace and rhythm, which did not allow for the acoustics of the rather environment. The sound included a lot of ‘popping’ either from the mike being too close to the user’s mouth, or from an overloaded auto-level loudness control. Announcements said the feeding would begin at 2pm, but the actual time the staff entered the water was probably fifteen minutes later. Younger and older members of the audience were getting fidgety. Despite those more minor problems, the diving was worth the wait. The animals are not only fed, but also checked for health and sometimes will be given individual medical care.

We had been to Hull’s ‘Submarium’ soon after it opened in 2002. Having enjoyed that visit, we looked forward to a second trip. It was also going to be useful because, having lacked web connection in Great Hatfield and even Beverley; we guessed that the Hull location should do better. And it was. About an hour got us through most online jobs.

The Submarium means, presumably, a deep aquarium where you can descend on ramps or lift through the full height, with an underwater tunnel at the base. I imagine other aquariums would claim something similar, though, including the National Aquarium in Plymouth. The main tank is 30 metres deep and holds two and a half million litres of water. Besides seven species of shark, there are rays and other fishes, sea horses, frogs, plants and corals. This aquarium is run by a charitable trust, not a commercial company as some other centres are. It was built with half of its £52m initial cost having come from the Millennium Commission with the rest from different sources. Income is from ticket sales, membership fees and retail sales. The building was designed by Sir Terry Farrell. Outside, a sculpture of a shark symbolises the attraction which looks out across the Humber Estuary with the River Hull flowing under the towers of the tidal barrier to join the muddy flow.